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Warner Bros. |
It’s ironic that a film titled Focus fails to do just that. Sure, Focus features a few entertaining scenes
and can never be categorized as terrible in really any moment of its running
time but to call it a complete movie would not be fair. These moments of
entertainment, while enjoyable, keep the story from ever being all that clear
or important. As the characters in the film are constantly conning someone or
each, Focus ultimately wants the
biggest con to be on the audience, the problem is that, with all the twist and
turns it tries to pull, it never pin points what it wants us to take away from
it all.
There is nothing quick about Focus’s set up, as it is essentially the
first half of the film. Because of this, the film features two stories that
have little to do with each other, as if the audience is watching two episodes
of a television program. The first episode or the first story, the pilot
episode so to speak, not just introduces the characters and the world they
inhabit but features a story in itself all while setting the future up.
Focus begins
with Nicky (Will Smith) and Jess (Margot Robbie) meeting through a con Jess is
attempting on Nicky. Little does she know that Nicky, coming from generations
of conmen, is a veteran conmen himself so he has no trouble sniffing out what
she is trying to pull. He does however offer to give her a few tips on how to
take from people without them knowing. She wants to be a part of something
bigger though, so after an audition of sorts, Nicky and his partner Horst
(Brennan Brown) agree add her to their crew of thieves in New Orleans for a
major football championship.
The week leading up to game is when
this group cons the large crowd of people, whether it be at casinos or even
ATM’s. On the streets is where the pick pocketing techniques are performed,
feeling repetitive as it is featured in a couple of previous scenes where Nicky
and Jess are doing similar things. In fact, the film in general is quite
repetitive in terms of dialogue and scene construction.
Focus’s set-up
filled first half is also where we meet Farhad (Adrian Martinez). Referred to
as a “400 pound Persian” at one point, the character Farhad, only really
featured in the first half, is solely here for comic relief as his crude and uncomfortably
sexual humor is aided by Martinez’s delivery and timing. He does however play a
crucial part in a gambling scenario during the football game when Nicky has 1.2
million in a bet with a wealthy man by the name of Liyuan played by a
delightfully over the top BD Wong.
This scenario, still apart of
the films set-up, is basically a separate story before the films actual plot
takes place, as it has absolutely nothing to do with what is to come. Even so,
it is easily the most entertaining sequence of the film. It’s really the films
only earned moment as the audience is led to believe with previous situations
and moments that Nicky has a gambling problem so when he can’t walk away from a
bet, the audience is forced to feel something towards the character and the
moment.
One problem with this lead up,
although entertaining and well-constructed, is that after it is revealed that
Nicky really doesn’t have a gambling problem, the previous scenes that make the
audience believe that Nicky has a gambling problem are somewhat discredited. Does
he or does he not have a gambling problem? The film makes it appear that he
does and he doesn’t? Maybe this is just me looking into in to it too much but
the way this is handled is slightly puzzling. None the less, it’s still
difficult not to find joy in this scene, with Smith, Robbie, Martinez and Wong
all having a lot to do with that.
After all the this, the set-up
abruptly closes with Nicky making it clear to Jess that they can’t get involved
even though up to that moment, it appeared that they had started a
relationship. Fast forwarding 3 years is where the actual films plot begins.
Here we find Nicky in Buenos Aires working a con for racing team owner Rafael
Garriga (Rodrigo Santoro) that involves him posing as engineer for a rival team
owner by the name of McEwen (Robert Taylor) in order to cause them to lose
races.
With this basic premise as a
foundation, the second half of the film is about Nicky and Jess’s relationship
after it is revealed that Jess is with Rafael. This is where everything slowly
goes downhill. This focus on the relationship, as both are playing each other,
becomes very repetitive, slowing the film down. We get it, you want to be with
each other but you can’t express this because of the cons you are a part of.
There is no reason to remind the audience of this with similar scene after
scene. On top of this, it’s all taken a little too serious. It is made out to
be this complex, engaging romance but just turns out to be a bore most of the
time, leading me to believe that the second half should of kept the comedic
approach that the set-up had, likely making for a more appropriate and
enjoyable atmosphere.
When it comes time to wrap the weak
plot and over played romantic storyline up, Focus
franticly tries to twist and turn its way to a fitting finale. In its final 10
minutes, the twist and turns are piled thick that not even it knows what it
wants to be, causing for a sloppy, anti-climatic finale.
With all this said though,
because Focus is a tale of two
stories, the plot that is the set-up has a sleek, comedic way to it with actors
being allowed to go over the top a bit to have fun with a light-hearted script,
making it hard not to enjoy. Unfortunately, Focus becomes blurred with a nearly
non-existent, sloppy plot and a weak romantic aspect, which makes it hard to remember
what the first half had to offer.
Grade: C-
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